Category Archives: Grace Gallery

The Denial

The Fourth Station in the Lenten art exhibit, The Stations of the Cross, is entitled, “The Denial.” This piece draws our attention to Peter’s denial of Jesus as foretold in Matthew 26:30-35 and fulfilled in Matthew 26:69-75. They read,

And when they had sung a hymn, they went out to the Mount of Olives. Then Jesus said to them, “You will all fall away because of me this night. For it is written, ‘I will strike the shepherd, and the sheep of the flock will be scattered.’ But after I am raised up, I will go before you to Galilee.” Peter answered him, “Though they all fall away because of you, I will never fall away.” Jesus said to him, “Truly, I tell you, this very night, before the rooster crows, you will deny me three times.” Peter said to him, “Even if I must die with you, I will not deny you!” And all the disciples said the same.

Later in chapter 26 we read,

Now Peter was sitting outside in the courtyard. And a servant girl came up to him and said, “You also were with Jesus the Galilean.” But he denied it before them all, saying, “I do not know what you mean.” And when he went out to the entrance, another servant girl saw him, and she said to the bystanders, “This man was with Jesus of Nazareth.” And again he denied it with an oath: “I do not know the man.” After a little while the bystanders came up and said to Peter, “Certainly you too are one of them, for your accent betrays you.” Then he began to invoke a curse on himself and to swear, “I do not know the man.” And immediately the
rooster crowed. And Peter remembered the saying of Jesus, “Before the rooster crows, you will deny me three times.” And he went out and wept bitterly.

Peter’s denial of Jesus is one of the most shocking and yet human of events recorded in history. All of Peter’s bravado and self-confidence come crashing down upon his head. A man’s world is undone by a rooster’s crow.

Both Luke and Mark have additional comments about the circumstance. Luke says that Jesus looked across the courtyard and caught Peter’s eye. What was in Jesus look? What did Peter see? In Mark’s gospel, an angel instructs Mary Magdalene to “tell the disciples and Peter that his is going into Galilee.” What might that specific instruction have meant to Peter? Though the denial is epic, the forgiveness is that much greater.

Artist, Keaton Sapp, continues making use of the symbol of the fig leaf as a way to symbolize the passion narrative. What do you see in his depiction? Is the leaf merely Jesus or could it be something els?

Station4 copy

The Third Station: The Kiss

The third piece for the Lenten exhibit, The Stations of the Cross is based on Matthew 26:47-50 which tells of Judas Iscariot’s betrayal of Jesus and is entitled, “The Kiss.” Artist Keaton Sapp offers an extraordinary image which starkly depicts the moment with its strong contrast of light and dark…intimacy and betrayal. Matthew 26:47-50 reads,

While he was still speaking, Judas came, one of the twelve, and with him a great crowd with swords and clubs, from the chief priests and the elders of the people. Now the betrayer had given them a sign, saying, “The one I will kiss is the man; seize him.” And he came up to Jesus at once and said, “Greetings, Rabbi!” And he kissed him.
Jesus said to him, “Friend, do what you came to do.” Then they came up and laid hands on Jesus and seized him.

The betrayal of Jesus in the Garden brings to full circle the story begun in Genesis 3. In Genesis, a serpent deceives with the promise of blessing: “You will be like God.” Instead what follows is cursing.  In Matthew 26 the betrayer comes blessing (a kiss) and sets in motion the second Adam’s curse by the crucifixion.

In no time during Jesus’ last hours, does he seem carried along by circumstances into an unknown future. “Friend,” he says, “do what you came to do.” Jesus is, in some great measure, in command of all that is taking place. The evil he will undergo, is an evil he has volunteered for, is one to which he has submitted himself.

Now, we all have experienced betrayal. The violation of person, being taken advantage of, being presumed upon, or being lied to are things common to us all. My initial reaction to Judas’s betrayal is one of anger. “How dare he!” It seems all to easy. We live in an age of outrage and self-justified anger. And though anger rightly acknowledges an understood trespass, I wonder if we avoid the reality of the the profound sadness of Jesus’ betrayal. Jesus says, “Friend…” How deep that must have cut. After three years of living with and walking beside Jesus — after three years of witnessing miracles and listening to his teaching, Judas is willing to turn Jesus in and for thirty pieces of silver.

The Kiss 2

The Second Station: Watch with Me

The Second Station of the Cross is on display in the Grace Gallery. The scene is based on Matthew 26:36-46 which reads,

Then Jesus went with them to a place called Gethsemane, and he said to his disciples, “Sit here, while I go over there and pray.” And taking with him Peter and the two sons of Zebedee, he began to be sorrowful and troubled. Then he said to them, “My soul is very sorrowful, even to death; remain here, and watch with me.” And going a little farther he fell on his face and prayed, saying, “My Father, if it be possible, let this cup pass from me; nevertheless, not as I will, but as you will.” And he came to the disciples and found them sleeping. And he said to Peter, “So, could you not watch with me one hour? Watch and pray that you may not enter into temptation. The spirit indeed is willing, but the flesh is weak.” Again, for the second time, he went away and prayed, “My Father, if this cannot pass unless I drink it, your will be done.” And again he came and found them sleeping, for their eyes were heavy. So, leaving them again, he went away and prayed for the third time, saying the same words again. Then he came to the disciples and said to them, “Sleep and take your rest later on. See, the hour is at hand, and the Son of Man is betrayed into the hands of sinners. Rise, let us be going; see, my betrayer is at hand.”

Keaton Sapp is continuing to install artwork which will eventually compose a Stations of the Cross series which will be available to walk on Good Friday and Holy Saturday. If you have opportunity, take time to reflect on the scripture passage and the artwork. As I mentioned previously, Keaton is making use of a motif to abstractly represent Jesus and is intended to respectfully avoid depicting Jesus’ face.

As you reflect on the painting consider the mood of the scene in the picture. Where are the disciples? What are they doing? What is on the horizon? How is the tree depicted? How do these depict the events of the passage and how do they foreshadow what is to come?

If you’re interested, you may read my response to the passage and Keaton’s artwork on my own blog HERE.

Keatol Sapp 2020

The First Station: The Anointing

Grace Kernersville is very fortunate to have artist, Keaton Sapp contributing artwork to this Lent’s art exhibit, The Stations of the Cross. Grace will make use of the exhibit to offer an opportunity for people to walk the Stations on Good Friday and Holy  Saturday in April. In the meantime, I’d like to offer you another opportunity for you to reflect as you mark the season and prepare for the celebration of Jesus’ resurrection.

With previous exhibits in which we have hung seasonal art in the Grace Gallery, we have made use of ekphrasis which is writing that responds to a specific piece of art be it prose or poetry. Most recently Grace’s Advent exhibit, The Jesse Tree, made use of this sort of writing. Over the next five weeks, I will be posting the art for you to meditate and reflect on in order for you to write a response. I will include a few words about the art and provide a scriptural context for it. The artwork itself is somewhat abstract. In a desire to avoid making an image of Jesus and be a stumbling block to some, the artist is using the motif of a fig tree. The series will tell the story of fig tree, but through those pictures you should be able to discern the story of Jesus’ last day.

This week’s piece is entitled, “The Anointing” and is based on Matthew 26:6-16 which reads,

Now when Jesus was at Bethany in the house of Simon the leper, 7 a woman came up to him with an alabaster flask of very expensive ointment, and she poured it on his head as he reclined at table. 8 And when the disciples saw it, they were indignant, saying, “Why this waste? 9 For this could have been sold for a large sum and given to the poor.” 10 But Jesus, aware of this, said to them, “Why do you trouble the woman? For she has done a beautiful thing to me. 11 For you always have the poor with you, but you will not always have me. 12 In pouring this ointment on my body, she has done it to prepare me for burial. 13 Truly, I say to you, wherever this gospel is proclaimed in the whole world, what she has done will also be told in memory of her.” 14 Then one of the twelve, whose name was Judas Iscariot, went to the chief priests 15 and said, “What will you give me if I deliver him over to you?” And they paid him thirty pieces of silver. 16 And from that moment he sought an opportunity to betray him.

In this passage, Matthew juxtaposes two events prior to the last events of Jesus’ earthly ministry. Those last events begin with the inauguration of the Lord’s Supper on Holy Thursday and continues with his watchful prayer in the Garden of Gethsemane followed by his arrest, trial, crucifixion, and death on Good Friday.

It may be unsurprising to us in this day and age, but the two prior events in Matthew 26 seemed to be about money. In the first, a woman (presumably Mary of Bethany) anoints Jesus with a ‘very expensive ointment.’ This prodigal expression of honor and devotion irritates the disciples, for they ask indignantly, “Why this waste?” Jesus tells them to leave her alone for “she has done it to prepare me for my burial.” It seems that she, before all the rest, had some understanding of what Jesus was about to undergo. The second event in Matthew 26, is Judas going out to sell Jesus to the chief priests. He does so for thirty pieces of silver.

Matthew seems to leave us with some questions. Firstly “What is the Son of Man worth?” Is he worth all your devotion or is his value only in what he can do to help you to accomplish your will? Secondly, the disciple’s question, “Why all this waste?” invites us to reflect on what and for whom we spend ourselves. For what am I pouring myself out? Reputation? Achievement? What is a life lived by faith in Jesus Christ worth? Lastly, Jesus’ question and statement, “Why do you trouble the woman? She has done a beautiful thing to me” invites us to ask, do we, as Mary, see the beauty of the One who brings us the gospel of peace?

1 The Anointing (c) Keaton Sapp

Lent 2020

February 26 is Ash Wednesday which marks the beginning the forty day, season of Lent. If you count the days you’ll reckon that there are actually 46 days until Easter. The reason is that though is a season of repentance, preparation, service, and humility, nevertheless we are living life after the resurrection. The Lord’s Day, Sunday, is appropriately recognized as a day of rejoicing.

As you enter the season, there are several online resources you may want to make use of.

Biola University’s 2020 Lent Project is a daily devotional hosted online and sponsored by the Center for Christianity, Culture, and the Arts. You may sign up via email or visit the devotional website HERE.

Malcolm Guite will be posting daily on his website his own an other’s poetry and thoughts which are found in more detail in his Lent devotional, Word in the Wilderness. You may access his blog HERE.

PCA Pastor, Craig Higgins’ resource, “On Keeping Holy Lent” may be found HERE.

LenTree is an online devotional which offers one poem a day by George Herbert. You may find LenTree HERE.

You may access Grace Kernersville’s pamphlet on Lent, “Know My Heart” in the church foyer brochure rack on online here: GPC Lent Brochure.

Julie Canlis has a great talk, Lent to the Rescue, which you may view on YouTube HERE. And you may access a more detailed series she did for her church HERE.

In addition, Grace Kernersville will be blessed to have the work of artist Keaton Sapp hanging in our foyer as a part of a Lent art project. Keaton will be installing artwork each week as a part of his exhibit, Stations of the Cross. This installation will continue to Easter and will serve as a Stations of the Cross on Good Friday. We’ll be posting his artwork and commenting on the pieces each week on my blog, Backward Mutters of Dissevering Power HERE.

Jesse Tree Art: Slingshot

GPC’s Advent art project, The Jesse Tree, is being installed. New pieces are on display each Sunday. One of those pieces is a plywood sculpture of the Jesse Tree which I’ll be writing more about later. The other pieces are a combination of abstract art and poetry.

Why Abstract Art?
Representational art is often viewed as being inherently more worthy than abstract art. The seemingly inherit chaos of the art is viewed in some circles as refuting the idea of transcendent truth. This is false. All art abstracts at some level. The artists eye and imagination always works to communicate and focus. Every artist embellishes, adds qualities, or makes use of symbolism. Abstract art, however, does this with an abandon. The artist hands-over the painting’s meaning to the viewer, and in so doing, the viewer’s imagination becomes as important as the artist’s imagination in order to give the painting meaning.

How Do You Read Abstract Art?
There are several cues one may use to help read abstract art. Many abstract paintings have titles. The titles give you some clue as to the artist’s intent. Next, look at the colors and lines. How has the artist used line, color, and flow to communicate? Secondly, look at the larger context used. Is there a theme to the series? What sorts of references may the artist have been drawing from or which you are aware that may help you discern a meaning? Lastly, talk and share with others your ideas. Abstract art is about engaging the imagination and discovering meaning.

Each piece of art in this portion of the Jesse Tree project is accompanied by an ekphrastic poem. Ekphrastic poems are poems which are written in response to a specific piece of artwork. In ekphrastic poetry we are offered a view into the poet’s imagination as they dialogue with the artist’s work.

Here’s the first piece in the series. It corresponds to 1 Samuel 17 and the story of David and Goliath. The painting is titled, “Slingshot.” How do you read the colors? The lines? How can you derive a story from the painting about David’s struggle with Goliath? Because this is part of the Jesse Tree project, how does this relate to Jesus? How might who Jesus is and what he has done be brought to bear in the artwork’s meaning?

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© Adah Freeman 2019, “Slingshot” acrylic on canvas. All Rights Reserved.

Here’s my attempt to read the painting in poetry. This poem too, is entitled, “Slingshot.”

Once the world was shining-new, golden-bright,
Untouched by shade or stain but brilliant-white;
Then an enemy came
To steal by dark deeds, claim.

The menacing darkness blurred, broke, and scarred—
Tore with violence, crossed, mangled, marred
The field of shimm’ring gold
Whence all was lost or sold.

The darkness continued to blur and streak,
Sent giants: Despair, Dementor, Defeat
Who laughed at our fear, scoffed,
Defied our Lord, and mocked.

But God’s Shepherd descended in between,
Went outside the camp where he was last seen—
For our glory-sealing,
Bearing stripes for healing.

He flung himself at death, and slew the Night
And with his arms he slings us up in life.

© Randall Edwards 2019.
This sonnet is for Christ’s church. If it is helpful, please feel free to copy or reprint in church bulletins, read aloud, or repost. I only ask that an attribution be cited to myself (Randall Edwards) and this blog (backwardmutters.com). Thank you.

The Second Sunday of Advent

What a lovely surprise with this Advent snow this weekend! Though the disruption to our plans and routine can be frustrating, these are the moments when we hear the Lord ask us the question, “Where are you?” Our theme for Sunday morning was, “Love”.

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© Asher McClain 2017

(I can’t help thinking that the pyrography may have been a little prophetic. The snow hanging on the pine trees in Asher’s wood burning is mirrored out the church’s west window.)

We looked at Genesis 22 and Abraham’s sacrifice of Isaac. Adah’s portrait captures the moment when the Angel of the Lord calls out to Abraham in verses 11 and 12,

“But the angel of the LORD called to him from heaven and said, ‘Abraham, Abraham!’ And he said, ‘Here I am.’ He said, Do not lay your hand on the boy or do anything to him, for now I know that you fear God, seeing you have not withheld your son, your only son, from me.'”

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© Adah Freeman 2017

Lastly, Michael Kuehn shared a new song written for this occassion. You may listen via the Soundcloud player below, and the lyrics are included for you to follow along.

© Michael Kuehn 2017

© Asher McClain 2017
© Adah Freeman 2017
© Michael Kuehn 2017
All Rights Reserved